Wednesday, July 28, 2010
YOUNG TASMANIAN WRITERS AND CRAFT ARTISTS PUBLICATION OPPORTUNITY
Local creatives Ben Walter and Kelly Eijdenberg have received funding from the Australia Council to produce a new book featuring a collaboration between young Tasmanian writers and craft artists.
Ben Walter, a local writer and assistant manager of Fullers Bookshop, says “opportunities for young writers are thin on the ground in Tasmania, so we’re really happy to provide a chance for them to get involved.”
They are calling for short stories responding to the title of their book – I Sleep in Haysheds and Corners.
The best ten entries will be published in the book, and also, given to local craft artists to respond to using their practice. Images of the craft items will serve as illustrations for the book, and the items will also be displayed in an exhibition in their own right.
Book designer Kelly Eijdenberg comments, “While fine art and literature are no strangers, you don’t often see collaborations between fiction and the recently-revived art of craft – this will be a fusion that we anticipate will produce exciting and unexpected results.”
Submissions from writers to 'I Sleep in Haysheds and Corners' must be received by October 1st. The stories must be under 1000 words and written by Tasmanian people under the age of 30. Stories must also keep to the guidelines which are available from www.inscrutablepress.com.
Successful contributors will be paid $150.
PlayWriting Australia Creative Development Studio, Winter Session
CALLING ALL TASMANIAN PLAYWRIGHTS
11‐13 October 2010
PlayWriting Australia, the national peak body supporting the development of new Australian writing for performance, is currently calling for applications from Tasmanian playwrights for the next Creative Development Studio, taking place in Sydney from 11 to 13 October 2010.
The Creative Development Studio provides playwrights with resources to address specific issues in a new script through leading an intensive, three‐day workshop.
The aim of the programme is to help solve the problems that are preventing theatre companies from producing otherwise performanceready plays, ultimately bringing more – and higher quality – new Australian stories to the theatre.
This year, the Winter Session, is being offered exclusively to support a Tasmanian playwright to attend the Studio in Sydney this October. The successful applicant will receive return airfares and accommodation, as well as a venue, access to a director, dramaturg and actors to assist them in the
“Great plays sometimes need just a couple more days with actors and a creative team before a theatre company bites,” PlayWriting Australia’s Artistic Director Chris Mead says. “The Creative Development Studio is that rare chance. It offers top‐line artists the opportunity to get together and refine, hone and genuinely distil the playwright’s vision. Tasmania has some great theatre artists and we’re looking forward to backing one to see another brilliant new Aussie play on our
Applicants are encouraged to present a clear artistic vision for the development process and demonstrate how the Studio has the potential to significantly enhance the future life of the work.
The playwright must normally be resident in Tasmania and be available to travel to Sydney on 11‐13 October 2010.
Closing Date: Applications are open now, and must be received by PlayWriting Australia by Friday 13 August 2010.
Further info: Contact PlayWriting Australia on (02) 8571 9177 or via email at
email@example.com or check out our website for full application guidelines:
MEDIA ENQUIRIES: Amanda Macri, 02 8571 9172 or firstname.lastname@example.org
The Memory of Genocide in Tasmania is a daunting, exhausting and devastating book that examines genocide and modernity and the attempt to d...
A few writers I am loving at the moment include Lidia Yuknavitch and Lucia Berlin. Yuknavitch’s novel, The Small Backs of Children is ch...
A few years ago I had the absolute pleasure and delight of interviewing Richard Fidler on the art of interviewing. You can hear the full int...
Waaay too much going on to allow space for any chitchat banter or personal rhapsodisations on recent reads. (I took Paul Auster with me to...